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Showing posts with label Chris Stevens. Show all posts
Showing posts with label Chris Stevens. Show all posts

Sunday, September 23, 2012

Mark Steyn's Take On The Benghazi Attack

As always, Mark Steyn is spot on regarding the whole Benghazi incident: how it even happened in the first place, and how Barack Obama and the administration handled the aftermath.

In his article "Disgrace in Benghazi" he makes some very astute observations about the ineptitude of our current leadership. He asks why Secretary of State Hillary Clinton and General Martin Dempsey initially tried to mislead the world into thinking it had more to do with a spontaneous violent reaction to the anti-Islam film rather than a planned terrorist attack:

One can understand why they might do this, given the fiasco in Libya. The men who organized this attack knew the ambassador would be at the consulate in Benghazi rather than at the embassy in Tripoli. How did that happen? They knew when he had been moved from the consulate to a “safe house,” and switched their attentions accordingly. How did that happen? The United States government lost track of its ambassador for ten hours. How did that happen? Perhaps, when they’ve investigated Mitt Romney’s press release for another three or four weeks, the court eunuchs of the American media might like to look into some of these fascinating questions, instead of leaving the only interesting reporting on an American story to the foreign press.

How did that happen? Embassies in any region with Muslim majorities should be heavily fortified, especially in countries that are being led by Islamists or have militants in their midst, which is pretty much most of them. And I still want to know how the safe house was discovered.

He is also highly critical of how Barack Obama was more concerned with his celebrity status, and his campaign than dealing with this totally avoidable tragedy in the appropriate manner.

The president is too lazy and cocksure to have learned any prepared remarks or mastered the appropriate tone, notwithstanding that a government that spends more money than any government in the history of the planet has ever spent can surely provide him with both a speechwriting team and a quiet corner on his private wide-bodied jet to consider what might be fitting for the occasion. So instead he sloughs off the words, bloodless and unfelt: “And obviously our hearts are broken . . . ” Yeah, it’s totally obvious.

And he’s even more drunk on his celebrity than the fanbois, so in his slapdashery he winds up comparing the sacrifice of a diplomat lynched by a pack of savages with the enthusiasm of his own campaign bobbysoxers. No, no, says the Broadway director; that’s too crude, too ham-fisted. How about the crowd is cheering and distracted, but he’s the president, he understands the gravity of the hour, and he’s the greatest orator of his generation, so he’s thought about what he’s going to say, and it takes a few moments but his words are so moving that they still the cheers of the fanbois, and at the end there’s complete silence and a few muffled sobs, and even in party-town they understand the sacrifice and loss of their compatriots on the other side of the world.


But no, that would be an utterly fantastical America. In the real America, the president is too busy to attend the security briefing on the morning after a national debacle, but he does have time to do Letterman and appear on a hip-hop radio show hosted by “The Pimp with a Limp.” In the real State Department, the U.S. embassy in Cairo is guarded by Marines with no ammunition, but they do enjoy the soft-power muscle of a Foreign Service officer, one Lloyd Schwartz, tweeting frenziedly into cyberspace (including a whole chain directed at my own Twitter handle, for some reason) about how America deplores insensitive people who are so insensitively insensitive that they don’t respectfully respect all religions equally respectfully and sensitively, even as the raging mob is pouring through the gates.

And he wonders at the administrations total lack of concern that "sensitive" papers were taken from the Benghazi compound, papers which more than likely list Libyans who have been helpful to the U.S. We all know what happened to that doctor who led us to Osama Bin Laden. Rotting now in a Pakistani jail because we threw him under the bus.

Read Steyn's whole article here, on National Review Online

Wednesday, September 12, 2012

Alleged "Anti-Islam" Film Had Islamic References Overdubbed- Original Title "Desert Warriors"

The story surrounding "The Innocence of Muslims- the supposed anti-Islam movie that prompted the protests in Egypt, and got the U.S. Ambassador Chris Stevens and 3 other Americans in Libya killed- is becoming more and more bizarre.

Buzz Feed has an article about how all the references to Islam in the 13 minute trailer were overdubbed, so I forced myself to watch it again- with that in mind- and sure enough, every single reference to either Mohammed or the Quran is definitely dubbed over.

Buzz Feed also seems to think that the movie is sourced from different videos, but the film was definitely shot last summer, and according to one of the actresses none of the cast and crew had any idea that it was an anti-Islam film.

Gawker interviewed Cindy Lee Garcia who says she was absolutely appalled with the final cut.  She told Gawker that they were all led to believe they were shooting a movie entitled "Desert Warriors", about the life and times of Egyptians 2,000 years ago.

"It was going to be a film based on how things were 2,000 years ago," Garcia said. "It wasn't based on anything to do with religion, it was just on how things were run in Egypt. There wasn't anything about Muhammed or Muslims or anything."

And "Mohammed" was actually called "Master George" in the film.

For example, at 9:03 in the trailer, Garcia berates her husband, who wants to send their daughter to Muhammed: "Is your Muhammed a child molester?" she says in the final product. But the words are dubbed over what she actually said. The line in the script—and the line Garcia gave during filming—was, "is your God a child molester," Garcia told us today.

Garcia, who filmed for three days last summer, also said "Bacile" told her he was from Egypt, not from Israel as he now claims.  After all hell broke loose, Garcia contacted "Sam":

"I called Sam and said, 'Why did you do this?' and he said, 'I'm tired of radical Islamists killing each other. Let other actors know it's not their fault.'"
She plans on suing him, as probably the rest of the 80-strong cast and crew plan on doing.

What seems obvious is that "Sam" planned on filming an anti-Islam 'spoof' without the crew and actors' knowledge, knowing he could make those changes in post production through dubbing.  They are not amused.

CNN published a statement by all 80 members of the production:

The entire cast and crew are extremely upset and feel taken advantage of by the producer. We are 100% not behind this film and were grossly misled about its intent and purpose. We are shocked by the drastic re-writes of the script and lies that were told to all involved. We are deeply saddened by the tragedies that have occurred.

Gawker also posts a link to the 2011 casting call, that was originally found on Craigslist.  It says they were looking for SAG and non-SAG actors, but it seems unlikely that union members were involved given the caliber of acting, and the fact that this was a non-paying gig. Cindy Lee is listed on imdb.com but the movie is not. And she's non union.